In this deceptively simple painting of an interior a young girl sits at a virginal with a viola da gamba to her left and a painting on the wall behind her. A feeling of space dominates the canvas, creating a sense of timelessness and other worldliness. We only gradually become aware of the picture’s [...]]]>

In this deceptively simple painting of an interior a young girl sits at a virginal with a viola da gamba to her left and a painting on the wall behind her. A feeling of space dominates the canvas, creating a sense of timelessness and other worldliness. We only gradually become aware of the picture’s rich and meticulous colouring .

Monroe is probably Warhol’s most famous subject. He used a publicity still as the basis for this and other pictures of her, presenting us with a frozen image that reinforces the universal power of the most tragic of all Hollywood’s personae. The portrayal of Monroe as a product of mass culture, packaged for the public as if a consumer item connects this work to the American Pop Art movement.

Source of content : The Art Book

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Do you feel interested in the painting above?

It’s Vermeer’s painting : “Lady Seated at a Virginal”,

1675. Oil on canvas. h 51 x w 46 cm.

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READ : Vermeer’s History

Marilyn Monroe’s face is presented as an impenetrable mask in bright luminous colours. Published in ten different colour combinations, using the impersonal screen printing process, the multi-coloured surface portrays her image in a startlingly lurid manner.

Monroe is probably Warhol’s most famous subject. He used a publicity still as the basis for this and other [...]]]>

Marilyn Monroe’s face is presented as an impenetrable mask in bright luminous colours. Published in ten different colour combinations, using the impersonal screen printing process, the multi-coloured surface portrays her image in a startlingly lurid manner.

Monroe is probably Warhol’s most famous subject. He used a publicity still as the basis for this and other pictures of her, presenting us with a frozen image that reinforces the universal power of the most tragic of all Hollywood’s personae. The portrayal of Monroe as a product of mass culture, packaged for the public as if a consumer item connects this work to the American Pop Art movement.

Source of content : The Art Book

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Do you feel interested in the painting above?

It’s Warhol’s painting : “Marilyn”,

1967. Screen-print on paper. h 91.5 x w 91.5 cm.

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We can do the good quality of original & reproduction art with the good materials ; by any art style for your order, contact us : SiamArtist@yahoo.com

READ : Warhol’s  History

It is a kind of self-portrait,with Kahlo’s own legs painted from the bather’s viewpoint, showing  her deformed foot with its cracked big toe.

The artist’s hallucinations and imaginings run riot in this painting. It shows a bathtime reverie in which images of death, pain and sexuality float on the water’s surface.

This painting, considered [...]]]>

It is a kind of self-portrait,with Kahlo’s own legs painted from the bather’s viewpoint, showing  her deformed foot with its cracked big toe.

The artist’s hallucinations and imaginings run riot in this painting. It shows a bathtime reverie in which images of death, pain and sexuality float on the water’s surface.

This painting, considered to be her most Surrealist, is also the most complex of all her work, with its multitude of minute and irrationally arranged detail.

Source of content : The Art Book

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It’s Frida’s  painting : “What the Water Gave Me”,

, 1938.Oil on canvas. h96.5 x w76.2 cm.

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READ :  Frida’s  History

Men in top hats and boaters and women in pretty dresses chatter, drink and dance under the glowing lights of this famous Parisian dance hall. Renoir loved this  subject and painted it a number of times, reproducing, the patterns made by the light as it catches the figures moving around the floor. [...]]]>

Men in top hats and boaters and women in pretty dresses chatter, drink and dance under the glowing lights of this famous Parisian dance hall. Renoir loved this  subject and painted it a number of times, reproducing, the patterns made by the light as it catches the figures moving around the floor. Many of Renoir’s friends acted as models for the dancers. The couple in the middle distance are his favorite model Marguerite Legrand and the  Spanish painter Don Pedro de Solares y Cardenas. Like all Impressionists, Renoir painted from life as he sat in the dance hall; his friends assisted him each day in moving his canvases back and forth to his studio. 

Source of content : The Art Book

 

Do you feel interested in the painting above?

It’s Renoir’s painting : “Ball at the Moulin de la Galette”,

1876, Oil on canvas, 78 x114 cm.

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READ : Renoir’s History

The adaptation of the human face is divided by colour into rectangles. Flat geometric squares are held within a circle representing a masked face and displaying the multi-coloured costume of a harlequin. A portrait of the artist-performer Senecio, it can be seen as a symblo of the shifting relationship between art, illusion and [...]]]>

The adaptation of the human face is divided by colour into rectangles. Flat geometric squares are held within a circle representing a masked face and displaying the multi-coloured costume of a harlequin. A portrait of the artist-performer Senecio, it can be seen as a symblo of the shifting relationship between art, illusion and the world of drama. This painting dmonstrated Klee’s principles of art, in which the graphic elements of line, colour planes and space are set in motton by energy from the artist’s mind. In his imaginative doodlings, he liked, in his own word, to ‘take a line for a walk’.

Source of content : The Art Book

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Do you feel interested in the painting above?

It’s Paul Klee’s painting : “Senecio”,

1922, Oil on canvas mounted on panel, 40.5 x38 cm.

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READ : Paul Klee ’s History

The searing emotion of grief experienced by this distraught woman is reflected with great intensity in the harsh colours and rigid paint-strokes. The viewer’s attention is immediately focused on the cold blue and white area around her mouth and teeth; her eyes and forehead are dislocated – literally broken up with sorrow. the figure echoes [...]]]>

The searing emotion of grief experienced by this distraught woman is reflected with great intensity in the harsh colours and rigid paint-strokes. The viewer’s attention is immediately focused on the cold blue and white area around her mouth and teeth; her eyes and forehead are dislocated – literally broken up with sorrow. the figure echoes those of Picasso’s monumental painting Guernica, executed in the same year, which portrays the massacre of women and children in the Spanish Civil War. The work shown here is one of the most expressive examples from a series by Picasso entitled ‘Weeping Women’ . The way the woman’s face has been distorted and fragmented is a development of Cubist ideas.

Source of content : The Art Book

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Do you feel interested in the painting above?

It’s Picasso’s painting : “Weeping Woman”,

1937, Oil on Canvas, Size 60.8×50 cm.

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We can do the good quality of original & reproduction art with the good materials ; by any art style for your order, contact us : SiamArtist@yahoo.com

READ : Picasso’s History

“Happiness comes of the capacity to feel deeply, to enjoy simply, to think freely, to risk life, to be needed.”

 : Storm Jameson

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Do you feel interested in the painting above?

It’s  Lichtenstein’s painting : “Drowning Girl “,

 1963. Oil and synthetic polymer paint on canvas. 171.6 x 169.5 cm.

We can do the good quality of [...]]]>

“Happiness comes of the capacity to feel deeply, to enjoy simply, to think freely, to risk life, to be needed.”

 : Storm Jameson

 

Do you feel interested in the painting above?

It’s  Lichtenstein’s painting : “Drowning Girl “,

 1963. Oil and synthetic polymer paint on canvas. 171.6 x 169.5 cm.

We can do the good quality of original & reproduction art with the good materials ; by any style of art for your order, contact us : SiamArtist@yahoo.com

Read Roy Lichtenstein History

Visit Roy Lichtenstein Gallery

“Guard well within yourself that treasure, kindness. Know how to give without hesitation, how to lose without regret, how to acquire without meanness. “

-George Sand, 1804-1876

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Are you interested in the painting above?

It’s Dai’s painting : “The Temptation of St.Anthony”, 1946, Oil on Canvas, Size 89.7×119.5 cm.

We can do the good quality of original [...]]]>  

“Guard well within yourself that treasure, kindness. Know how to give without hesitation, how to lose without regret, how to acquire without meanness. “

-George Sand, 1804-1876

Are you interested in the painting above?

It’s Dai’s painting : “The Temptation of St.Anthony”,
1946, Oil on Canvas, Size 89.7×119.5 cm.

We can do the good quality of original & reproduction art with the good materials ; by any art style for your order, contact us : SiamArtist@yahoo.com

Read Salvador Dali History